Faith, Love, Time and Dr. Lazaro
SCRIPT DRAFT 1 (TAN)
09-04-2014
SCENE
1
INT.
DR.
LAZARO’S HOUSE – LIVING ROOM.
LATE
AFTERNOON
(SFX:
Chopin or Local classic)
Dr.
Lazaro is sitting in the sofa and he is half-asleep, probably enjoying the
music he’s listening to. Dr. Lazaro’s wife is also sitting opposite him and she
is reading a book.
Dr. Lazaro: Andiyan ba si Ben?
Mrs. Lazaro: Nasa kuwarto niya, malamang
ay nagbabasa rin. Ang alam ko’y mayroon siya pinagkakaabalahang libro ngayon.
Dr. Lazaro: Akala ko’y lumabas muli ang
batang yun. Sino nga ba yung babaeng kinakatagpo niya nitong mga nakaraan lang?
Mrs. Lazaro: (She will look up at Dr. Lazaro, will not speak, but her eyes will show
that she doesn’t know the answer)
Dr. Lazaro: Hindi lang maligamgam, napakainit.
Dapat ay nanatili na lamang sa Baguio. Mga karamdaman, sakit, paghihirap, lahat
ay dulot ng pagkagat ni Adan sa mansanas. Kung sana’y may sagot na nakalaan sa
lahat ng katanungan…
Mrs. Lazaro: (while Dr. Lazaro is
speaking, she should be looking at the husband)
Then,
Dr. Lazaro’s phone rings
(SFX:
TWO RINGS)
SCENE
2
EXT.
PALENGKE/TINDAHAN
- PAYPHONE BOOTH
LATE
AFTERNOON
Pedro
Esteban is wearing some kind of ragged clothes. He’s kind of weary and tired.
He is running along the market to look for a payphone.
PEDRO ESTEBAN: Ale, may payphone po ba
kayo?
TINDERO: Ay wala e. Subukan mo sa tawid.
PEDRO: Sige po, salamat po!
Pedro
will run towards the store.
PEDRO: Ate, pwede pong pagamit ng
telepono ninyo?
TINDERA: Sige, tawag ka lang.
(The
sales girl will hand out the phone.)
(SFX:
dial tone)
(SFX:
ringing on the other line)
SCENE
3
INT.
DR.
LAZARO’S HOUSE – DOORSTEP
LATE
AFTERNOON
From
the sofa, Dr. Lazaro will stand up and answer his phone while making his way
outside the house.
Dr. Lazaro: Hello, sino ito?
SCENE
4
EXT.
PALENGKE/TINDAHAN
- PAYPHONE BOOTH
LATE
AFTERNOON
Pedro: Pedro Esteban po, kapatid ko po
si Nanding Esteban, yung katiwala niyo po sa ospital?
SUPERIMPOSITION
of IMAGES OF a sickly child in bed being cared by the mother
Pedro: Opo, susunduin ko na lang po kayo
sa may gasolinahan. Opo, salamat po!
SCENE
5
INT.
DR.
LAZARO’S HOUSE – LIVING ROOM.
LATE
AFTERNOON
Mrs. Lazaro: Huwag mong sabihin pasyente
na naman yan.
Dr. Lazaro: Newborn Tetanus (papalatak)
Mrs. Lazaro: Ang sabi mo hindi ka
papasok sa ospital ngayon? Hindi ba’t sasamahan mo kami ni Ben mag-dinner
ngayon?
Dr. Lazaro: (will look away)
SCENE
6
INT.
DR.
LAZARO’S HOUSE – BEDROOM
FLASHBACK
Dr.
Lazaro’s eldest child, Anna, is lying on the floor. Blood is gushing out of her
mouth, a bottle of cyanide is still in her hands.
Mrs.
Lazaro is crying, she is wailing. She is kneeling beside her daughter, shaking
her to wake her up.
Mrs. Lazaro: Anna! Anna! Diyos ko, hindi
mo naman kailangan gawin ito e. Naiintindihan ka naman namin ng papa mo e.
Anna! Anna!
Dr.
Lazaro is standing at the doorstep, his face is unexplainable. His face is not
showing any kind of expression. He is just looking at his wife and his deceased
daughter.
(BG:
Dr. Lazaro: Pasensya na talaga mahal ko.
Babawi na lang ako sa susunod ha? (Bebeso sa asawa) Sige mauuna na ako.
Mrs. Lazaro: O sige mag-iingat ka.
(Ben
will enter the living room)
Ben: Pa? Aalis po kayo?
Dr. Lazaro: Oo e. Gusto mo ba ako
samahan? Mayroon akong pasyente pupuntahan. Bata.
Ben: Sige po pa. Nang makalabas-labas
din ako.
The
two goes out of the house.
SCENE
7
EXT.
ROADSIDE
–
ALMOST
NIGHTTIME
Dr.
Lazaro and his son are walking together in somewhat like fast manner.
Dr. Lazaro: Mabuti at napirmi ka sa
bahay ngayong araw na ito. Balita ko’y abala ka raw sa pagbabasa ng libro?
Ben: Opo, papa. Talambuhay po.
Dr. Lazaro: Mainam yan.
Ben: Marami po kasi akong napupulot na
magandang aral.
Dr. Lazaro: Talaga? Kung gayo’y mabuti
nga iyan. Kanino bang talambuhay iyang binabasa mo? Talambuhay ba yan ni Einstein?
O ni Bill Gates?
Ben: Ay hindi po papa. (will laugh) Tungkol po siya sa isang lalake na naging
monghe.
Dr. Lazaro: Hmm. Subukan mo ring ipabasa
iyan sa mama mo. Magkakasundo kayo ng mama mo sa ganyan, iyon pa naman ay
napakarelihiyosa.
Ben: Sa tingin ko nga po. Nakaka-inspire
po siya.
Dr.
Lazaro will suddenly stop and look at his son. He’s trying to search his son’s
eyes, but his son will look down.
Ben: Pa …
Dr. Lazaro: Anak, sa tingin ko’y
mapapabuti ka kung magtutuloy ka sa medisina pagkatapos ng AB mo.
Ben: Sa totoo lang po papa, hindi ko pa
rin po alam e.
Dr. Lazaro: Kapag naging manggagamot ka
na rin tulad ko balang araw, makakatulong ka sa mga tao. Sa mga mahihirap. Dun
sa mga walang pambayad sa ospital.sPero pwede ka rin maging manggagamot sa
Maynila. Para kumita ka, para magkapangalan.
Ben: Pa ang pinakagusto ko po talaga ay
makatulong sa mga nangangailangan…
Dr. Lazaro: Mainam nga iyan. Teka, hindi
ba anak at magaling ka sa Math? Sa tingin ko pwede ka ring maging engineer.
Ben: (Smile)
Pag-iisipan ko pa muna pa, wala pa po talaga akong maayos na plano e.
Dr. Lazaro: Sige lang anak. Matagal pa
naman iyon. Ang gusto ko lang naman e gawin mo kung ano iyong gusto mo, at kung
saan tingin mo e mas sasaya ka.
Ben: Opo papa. Salamat po.
SCENE
8
EXT.
GASOLINE
STATION
NIGHTTIME
Dr.
Lazaro and his son have almost reached the gasoline station. Pedro Esteban is
standing at the side and he is fidgeting. Then, when he sees the two, he will
run towards them.
Dr. Lazaro takes out his hand to shake
Pedro’s hand.
Pedro: Ako po si Pedro Esteban. Mabuti
po at nakarating kayo agad. Halina po kayo doktor.
Dr. Lazaro: (he will nod his head)
The
group walks away from the gasoline station as Pedro leads the way.
They
walk along the busy streets. The streets are crowded and filthy.
(SFX:
Market noise, car honking)
SCENE
9
EXT.
IN
FRONT OF PEDRO’S HOUSE
NIGHTTIME
Pedro gestures his hand as they reach a
small barong-barong.
Pedro: Narito na po tayo, Dr. Lazaro.
Tuloy po kayo.
SCENE
10
INT.
PEDRO’S
BARONG-BARONG – BEDROOM
NIGHTTIME
As
they go inside the barong-barong, they see some women who are whispering to
each other. Dr. Lazaro will not mind them although he will look at them.
Meanwhile, Ben is behind his father, he follows him as he goes inside the
bedroom.
(SFX:
women whispering)
As
they go inside the bedroom, they see the sickly child together with the mother.
The mother, who is stifling a cry, reaches out for the doctor.
Mother: Parang awa niyo na po, ginoong
doktor, pagalingin niyo po ang anak ko.
Dr. Lazaro: (He looks at the wife, and places a hand at her shoulder) Gagawin
ko ang lahat, huwag kang mag-alala.
Dr.
Lazaro puts down his bag and takes out alcohol to wash his hands. Then, he goes
to check the skin of the child. He realizes that the child is not going to last
longer, his skin is turning cold and the heartbeat is irregular.
(SFX:
Irregular breathing)
Dr.
Lazaro removes the blanket that encapsulates the sick child and injects
something to the child. Ampule. However, the child becomes rigid and suddenly
becomes stiff as wood. Dr. Lazaro breaks another ampule again and injects it to
the child. He is sweating. He is very nervous. He thinks that the life of this
child lies on his hands.
VO
OF DR. LAZARO: Nasa kamay ko ang buhay ng batang ito… Kailangan kong maisalba
ang buhay niya…
However,
the child is not moving at all. Hence, he tries to revive the child through
CPR. But it’s useless as the child turns greyish. The child is dead.
SCENE
11
INT.
PEDRO’S
BARONG-BARONG BEDROOM
NIGHTTIME
Dr.
Lazaro tries to stand up but he’s faltering. His legs are not helping him well.
He looks straight at the lamp; he cannot look at the eyes of the spectators
around him.
VO
OF DR. LAZARO: Alam kong masakit para sa kanila ito, pero masakit din ito sa
akin sapagkat ako ay isang doktor. Responsibilidad ko ang isalba ng buhay ng
isang nag-aagaw buhay. Tungkulin kong pagalingin ang may-sakit. Isa akong
manggaggamot.
SCENE
11
INT.
PEDRO’S
BARONG-BARONG BEDROOM
NIGHTTIME
Pedro approaches the doctor. He is
crying. He is clutching the arms of the doctor.
Pedro: Doktor, ano pong nangyari sa
anak? Doktor …
Dr. Lazaro: (He faces Pedro, he tries to put a stern face but he is faltering. He
softens up. Then, he shakes his head, and reaches for his things, and taps
Pedro’s shoulder. He is about to say something when he hears someone
murmuring.)
Ben
is kneeling beside the dead child. He is whispering a prayer.
VO
OF BEN: In the name of the Father, of the Son, and the Holy Spirit
*unfinished*